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our role as viewers in their social and cultural production
uno en Francia y el otro en Estados Unidos y aunque pertenecen a especies distintas de caminantes
to its significance in his own life as an outsider kid growing up in suburbia
Moving from an analysis of Rileys iconic 1960s black and white paintings to her more recent wall drawings
the CDJ-2000 (“Track Down Fiction”)
Despacio — Jens Hoffman & Federico Herrero Stationery our role as viewers inIt is the year 2028. The ruins of a Central American metropolis. Art is banned. A handful of artists work on dematerialized artistic experiments. Communication is only possible by telekinesis. Despacio is their refuge. This publication marks the beginning, the end, and the future of Despacio, one of the most significant art spaces in Central America. Founded in San Jos, Costa Rica in 2008, Despacio began with occasional solo exhibitions of local,
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