Fine Print: Sancti Spiritus, Cuba, 1993 Exhibition Poster The ambiguous relations between power

The ambiguous relations between power and represent- whether in the form of Dutch colonial patrol notes from the 1930s

Economopoulos attended a political rally in Yozgat

as well as the resilient nature of the city’s inhabitants

The story’s subtitle reflected Smith’s ambivalence: “Africa’s misery turns saintly Albert Schweitzer into a driving taskmaster

The photographs he took there would go on to form the first part of one of his most celebrated bodies of work: Circus

Fine Print: Sancti Spiritus, Cuba, 1993 Exhibition Poster The ambiguous relations between powerWebb began his career as a photographer in the 1970s, making pictures of the American social landscape in the streets of New England and New York, working exclusively in black and white. In the preface to The Suffering of Light, he describes having reached a kind of dead end in photography, as well as an eagerness to explore new territories. That year, in 1975, inspired by Graham Greenes novel, The Comedians, he jumped on a plane to Port au Prince to