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most noticeable in the lilac ink
Number 14 is on the reverse - good condition but with slight visible matt burn in the margins - see photo
Original offset lithograph on thick wove paper
slightly darker towards sheet edges
using a Collage effect to mirror the way we flick through articles and advertisements in magazines
Noon serge-poliakoff-composition-blue most noticeable in the lilacOriginal soft and hard ground etching on Hahnemule wove paper. Signed Bryan Ingham in pencil, dated (19)79, titled Noon and numbered from the limited edition of 75. Available with Bryan Inghams's companion print Morning. Plate size: 49 x 64cm. Referenced in John Russell Taylor: Bryan Ingham: Sculpture and Related Prints & Drawings (1996). The occasional tiny mark well away from the image, a lightly larger area of very faint paper discoloration top
