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Symphonie Nr. 3 in fis, op. 28 Sonate für Violoncello und Klavier g-Moll op. 65 Following a restrained opening in
Symphonie Nr. 3 in fis, op. 28 Sonate für Violoncello und Klavier g-Moll op. 65 Following a restrained opening in
Symphonie Nr. 3 in fis, op. 28 Sonate für Violoncello und Klavier g-Moll op. 65 Following a restrained opening in
Symphonie Nr. 3 in fis, op. 28 Sonate für Violoncello und Klavier g-Moll op. 65 Following a restrained opening in

Symphonie Nr. 3 in fis, op. 28 Sonate für Violoncello und Klavier g-Moll op. 65 Following a restrained opening in

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Description

Following a restrained opening in C major and the first dreamy sounds of the theme

The cantata “Nun danket alle Gott” (Now thank we all our God) BWV 192 is based on the text of the well-known hymn

A cappella

Elijah is regarded as a milestone in Mendelssohn’s compositional output and as a high point in the oratorio literature of the 19th century

is a “Messe sollenne senza Trombe

Symphonie Nr. 3 in fis, op. 28 Sonate für Violoncello und Klavier g-Moll op. 65 Following a restrained opening in

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