The West as America: Reinterpreting images of the frontier, 1820-1920 Stationery Six writers on art and

Six writers on art and popular culture survey the terrain of western art in the twenty-first century

Due to variations in the production process

First-year members receive a framed giclée print of Remington’s The Boat House at Ingleneuk

Here George Parish stayed overnight & changed horses on his way from Ogdensburg to Antwerp

Mounted on a polished base with engraved nameplate

The West as America: Reinterpreting images of the frontier, 1820-1920 Stationery Six writers on art andAs American settlers pushed ever westward from 1820 to 1920, artists fleshed out the theme of inevitable expansion. This attractively illustrated study a tie in with a touring exhibition brilliantly reassesses Western and frontier art, demonstrating how such painters as Albert Bierstadt, George Catlin, Thomas Moran, George Caleb Bingham and Frederic Remington drew a veil over unsavory aspects of frontier life. Instead, the text argues, the artists