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in spite of the work's lukewarm reception at its world premiere on 17 February 1889
since there are several stylistic parallels with its great precursor
Gustav Mahler combined different work concepts which he had previously tried out in various independent compositions: the 1st movement with the original title "Todtenfeier" was conceived as a symphonic poem
Monnard examines Ravel’s sound aesthetics against the background of concert reception and historical recordings
the choir app
Double Bass Concerto "No. 1" [full score] オーボエ in spite of the work's
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