Eine Faust-Symphonie series__Messe brève no. 5 aux séminaires CG 65a (Gounod) The placing of the chorale

Eine Faust-Symphonie series__Messe brève no. 5 aux séminaires CG 65a (Gounod) The placing of the chorale

Name: Eine Faust-Symphonie series__Messe brève no. 5 aux séminaires CG 65a (Gounod) The placing of the chorale
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Description

The placing of the chorale not at the end of the work but before the concluding chorus is unusual

Rheinberger's concert overtures are completely beholden to the tradition of the genre established at least since the 1820s

and alto or mezzo-soprano (c1–e2)

Nicholas Kok’s newly-created vocal score of the 4th and 5th movements of Mahler’s 2nd Symphony is aimed particularly at vocal soloists and choral singers who wish to practice the two vocal movements in this work

according to the composer

Eine Faust-Symphonie series__Messe brève no. 5 aux séminaires CG 65a (Gounod) The placing of the chorale

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