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Since its scoring for only one solo voice made it easily adaptable for performances under different conditions
Proof that it was anything but child’s play is provided by the extensive sketch material
futhermore
With a simple instrumentation of only strings and basso continuo (including bassoon)
This cantata for the 14th Sunday after Trinity was composed in August 1723 and is from Bach’s first cycle of cantatas for Leipzig
Octet Partita in Eb 03.162/60 Since its scoring for only
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