Christvesper der Kruzianer, RMWV 7（ヴォーカル・スコア） series__Missa in g. Hasse-Werkausgabe IV/3 (Hasse) In this scene

In this scene

With the Stuttgart Schütz Edition

16th–18th century Dutch

The Missa pastoralis bohemica (Bohemian Shepherds’ Mass)

and the duet between soprano and alto – just accompanied by continuo – is more restrained in its musical language and expression than the first movement

Christvesper der Kruzianer, RMWV 7（ヴォーカル・スコア） series__Missa in g. Hasse-Werkausgabe IV/3 (Hasse) In this sceneRudolf Mauersberger, the cantor of the Dresden Kreuzkirche, shaped his Christvesper in the Christmas tradition of the Erzgebirge in Saxony. The work underwent a long period of gestation and first attained its final form in 1963. The entire church is used for a performance: On the altar the Christmas story from Luke is presented, in four different corners of the church the Quempas or responsorial singing between congregation and cantor takes place, and