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ers an aptly fragmentary reading of this brutal culture
Max Pinckers
Paddy Bedford
how do we retrain the spotlight on art that deals productively with the world
The tonality of the mind of an agency without legends
Yes I Am Has stock in Germany ers an aptly fragmentary readingThis publication brings together for the first time a selection of drawings from the Yes I am series begun in 2020 by Soufiane Ababri. Through this gallery of portraits, Ababri weaves a queer community in which he recognizes himself, and which testifies as much to the kinship as to the singularity of each of its members. Some are close friends of the artist, others personalities from the worlds of art, literature, cinema and fashion James Baldwin,
