Shadow Boxer (C.1) Debra Ramsay lines and light

lines and light

Seeking the most straightforward possible expression of colour

Knaut builds her compositions slowly over time

Lee personally handwrote the names of the colors on the side of the canvas

Moschini’s work depends on process: unprimed

Shadow Boxer (C.1) Debra Ramsay lines and lightThe Shadow Boxer and skipstep paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow boxing practice in which the athlete spars with his or her own shadow, Bolt finds that the illusory qualities of abstract composition initiate a similar exercise of perception and expectation. Using the geometric vocabulary found in architectural schemata, Bolt tries to create a dynamic tension between