C034 resin and pigment on canvas mounted on panel That digital montage became the

That digital montage became the model for the original painting

which later on manifest themselves partially within paintings

She is inspired by systems

Working with themes of space and geometry

This work is part of the series titled Sonnet Paintings where unrecognizable shapes

C034 resin and pigment on canvas mounted on panel That digital montage became theThis work captures the emotive qualities of the Scottish landscape through a reductive technique. The artist uses a systematically derived palette, eliminating all brush marks via a subtractive process where paint is often removed. This creates ethereal surfaces that appear luminous, compelling the viewer to focus entirely on the chromatic field and its conceptual depth.