connessa alla consapevolezza di una crisi delle pretese filosofiche di conoscenza e di universalità
The photographs I compiled for my book are accompanied by extracts from interviews that I held with Angela
The artist refers to the installations she leaves behind in the periphery of the city
patterns and synchronicities
accompanies the exhibition at Cortesi Gallery
1864 CD and Vinyl connessa alla consapevolezza di unaIn 1864, Matthew Brandt recreates George N. Barnards 19th century images of a devastated, post Sherman Atlanta. Using source imagery housed at the Library of Congress, he makes new albumen photographs from Barnards images. Fortifying the foundational ingredients of the 19th century albumen print egg whites, silver nitrate, and salt with peaches, sugar, flour, cinnamon, and butter, Brandt plays with external assumptions about the South, at the same