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Formerly attributed to a variety of painters including Agostino Carracci
military encampments and hunting scenes
The provenance of this picture
In the Triumph of David
The broad characterisation and handling of the figures seems to contrast with the delicacy of the landscape detail which has led to suggestions that Andries might be responsible for them
Pietà Period Formerly attributed to a varietyThe composition seems to be based partly on Annibale's etching of the Christ of Caprarola, partly on his Capodimonte "Piet".
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