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both fleeting and universal
three people were invited to take one of the eighteen photographs that make up Performance in Resistance and propose a story
and developed a working partnership
a place where time seems to stand still
Published by Montez Press
KEEP DISTANCE delete both fleeting and universalIn Keep Distance, Boris Mikhalov leads us on a wild, dizzying ride from which we emerge slightly breathless and unsteady. Acting as a kind of visual logbook, the series is composed primarily of recent images (20202024) with some older photos mixed in. It has all the appearance of a mental tracking shot, one in which fragmentary or haphazardly framed images unsettle our gaze to such a degree that we find ourselves doubting what we see. Street scenes,
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