The Myth of Venice: 16th century music for cornetto & keyboards Martin Suckling but for all that thoroughly

but for all that thoroughly musical

"productHandle": "calum-huggan-american-music-for-marimba"

reproduced with kind permission of the Royal College of Music

"Speculative and original

it has tremendous buoyancy

The Myth of Venice: 16th century music for cornetto & keyboards Martin Suckling but for all that thoroughlySUMMARY TRACK LISTING REVIEWS INFO With the arrival of Adrian Willaert at St Marks Cathedral in 1527, Venice at last boasted a musician of international reputation to match its growing image as a city rich in gold but richer in renown, mighty in works but mightier in virtue. The establishment of Venice as the world leader in music publishing, and the coming and going of international musicians, made the Floating City anything but insular, and artistic