Debbie Harry, Best of Blondie Session II, 1981 NYC 1976 defined by the stark geometry

defined by the stark geometry of a black-and-white checkered floor—an element that underscores the constructed visual language of their mid-1980s period

this image of Richard Hell at a pool places a defining punk figure in an unexpected setting

dated and hand-signed by Roberta Bayley on the front

Burroughs and Debbie Harry photographed in New York City in 1980 by Bobby Grossman

produced with archival pigment on museum-grade photographic paper

Debbie Harry, Best of Blondie Session II, 1981 NYC 1976 defined by the stark geometryA second frame from Martyn Goddard's 1981 Best of Blondie studio session, Debbie Harry's face resting against a black vinyl record marked with a red lipstick kiss, her eyes lined in electric blue. Where the companion image plays it for laughs, this one is all cool glamour, the disco era Blondie look distilled into a single, poised portrait at the peak of the band's fame. Produced as museum quality archival pigment prints from the original