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must commit freely or under coercion to these transformations and reconfigurations in order to remain alive and empowered
an almighty presence
I was moving all around him
Filmmaker Ineke Smits and radio-maker Jeroen Stout write
Burt Glinn’s work on the set of ‘Suddenly Last Summer’ offers a window into a production that was fraught with tension
Fine Print: Agony in the Garden. Spain, 2022 Micha Bar-Am Fine Prints must commit freely or underIn Agony in the Garden, Ribeira extends this visual language into an allegorical reflection on the uncertainties of contemporary life. Created in collaboration with young people across the peripheries of Madrid, Mlaga, Granada and Almera, the series presents a landscape suspended between the ancient and the contemporary, where religious iconography, digital culture and everyday gestures coexist. Rather than documenting social realities directly, the
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