The interzone Magazines a more dignified form of

a more dignified form of death

“the two projects presented [

and her father texts

seeking to trace and map unwritten histories and narratives relating to black life

meditates on the ‘untidy and prodigiously cluttered’ hideouts of Tokyo

The interzone Magazines a more dignified form ofMarco Barbon's Tangier series traces five years of the photographer's absorption in a city, between reality and fiction. As often with Marco Barbon, the notion of border physical as well as imaginary reappears: in the nooks and intersections, doubt creeps in, characterizing the shifts specific to the photographers images. We no longer know if we are imagining, if we are dreaming or if we are flying. If the city of Tangier has turned into a mirage,