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Mary Weatherford: Train Yards Allison Glenn He then applies pigment around

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He then applies pigment around the covered area with unconventional tools

Sin—Without is based on a 1991 painting made during a period in which Ed Ruscha often worked in black and white

A foreword by Adrian Dannatt includes a conversation with the artists

the Bill & Melinda Gates Foundation will generously match every dollar raised for the Global Fund

and their mass-produced

Mary Weatherford: Train Yards Allison Glenn He then applies pigment aroundThis book was published on the occasion of the exhibition Mary Weatherford: Train Yards at Gagosian, Grosvenor Hill, London. The paintings in Weatherfords Train Yard series (201620) evoke both a celestial night sky and a nocturnal view of train yards and tracks, replete with heavy, clanging machinery, bright lights approaching and receding, and harmonic whistles. The series is the artists first body of work in nearly a decade to partially eschew neon,

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