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” The resulting image engages with the power of myth and prefigures the epic composition of Guernica (1937)
The volume also features a new essay by art historian Richard Shiff that examines the emotional tenor of Reed’s paintings
an interview with Tony Shafrazi by Carlo McCormick
which extends from deck to deck
The title is derived from a song by the Eagles that features a cowhand whose tortured imagination invites comparison with the struggles of an artist
Ed Ruscha: Turbo Tears Susan Burton ” The resulting image engagesThis two color lithograph by Ed Ruscha depicts the phrase TURBO TEARS in red capital letters against a gray ground covered with a field of orange specks. The ink appears to have been smeared, lending an impression of rapid motion as if the words were speeding toward the right of the sheetan effect appropriate to the subjects evocation of Los Angeless automotive culture. The work was included in the group portfolio Tate 21st, released as a boxed set by
