Paul Cupido: URSA MAJOR (signed & numbered) Cinema In Unfixed Jennifer Bajorek traces

In Unfixed Jennifer Bajorek traces the relationship between photography and decolonial political imagination in Francophone west Africa in the years immediately leading up to and following independence from French colonial rule in 1960

Seiichi Furuya sorted all photos taken by Christine with a pocket camera and 35mm camera for the first time in chronological order

Exposure control: Automatic exposure and flash control (ISO 800) : LV 10

Between 1971 and 1989

and beginning her photography career in her forties

Paul Cupido: URSA MAJOR (signed & numbered) Cinema In Unfixed Jennifer Bajorek tracesImperfect copies with small dent on corner of book For Paul Cupido, the Moon is an existential symbol. It entangles man in the infinitely small, while at the same time, through its secret nothingness, it connects him to the infinitely great, guiding ship captains and dreamers through the night. In Ursa Major the Latin name for the Big Dipper the star's reflections become a lifeline in the heart of darkness: the photographer imagines a hallucinatory,