Choreography as Conditioning: Practicing Futures through Voicing Spector Books Let’s say a woman rubs

Let’s say a woman rubs her hair with amber

from performance to filmmaking – and the works presented in The Great Tetrahedral Kite speak to this restlessness

I'm working with highly iconographic pictures — pictures that are looked at as though what one sees were already completely clear

Composite Journal delves into the work and life of a single creative practitioner per issue

Spierenburg has been a regular visitor to the Sitterwerk Library

Choreography as Conditioning: Practicing Futures through Voicing Spector Books Let’s say a woman rubsThe books included in the series Choreography as Conditioning are rooted in a cycle of work sessions entitled CASC at KASK, in which students work together with invited guests. They explore the notions of choreography, understood as ways of organising subjects in their surroundings, and conditioning in both art making and society making. Where, how, and by whom are things organised and what kind of landscapes of experience are made (im)possible by the