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THE BORDERS OF GOOD AND EVIL
The artist has exhibited and performed internationally
historical and cultural context
whose symbolic and material lives go largely unexamined
This issue of Viscose sets out to critically gesture to all of these connotations and their potential intermingling through concrete case studies and cross disciplinary philosophical speculation
Politics of Curatorship: Collective and Affective Interventions Theory THE BORDERS OF GOOD ANDWhat happens to curatorial practices when treated as multi voiced, pluralistic, and process based? Politics of Curatorship: Collective and Affective Interventions asks what curatorship could be when it is freed from its elitist notions. It gathers essays, academic articles, poems, interviews, and photo essays from 33 contributors from all over the world. Together, they seek to open up the term from a linear and often single voiced method, offering to
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