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In his Petro Plots suite of prints (2001)—the title plays on the idea of petroglyphs or rock paintings—Ed Ruscha depicts aerial views of famous Los Angeles intersections embedded into stone surfaces
Rude in the Good Way features over seventy plates and continues Ethridge’s hallmark investigation of conventional photographic categories and modes
projected light environments from the Ganzfeld series
and the exhibition’s unique site
Published in 1989 by Thea Westreich and Kent Fine Art in an edition of 250
Gagosian Quarterly: Winter 2019 Issue Anna Karina Hofbauer In his Petro Plots suiteThe Winter 2019 issue of Gagosian Quarterly features a selection from Christopher Wools Westtexaspsychosculpture series on its cover. Inside the issue, Richard Hell examines the evolution of Wools art practice, looking specifically at the artists move to Marfa, Texas; William Whitney takes a close look at recent work by Theaster Gates; and Gregory Zinman dives into the archives of Nam June Paik to explore his writings. Conversations with Huma Bhabha,
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