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this iconic self-portrait captures both the artist’s inner thoughts and his outwardly projected identity
the fish has become a recurring motif in Gehry’s work
a color associated with muscle cars and motorcycles since the 1970s
The exhibition examines some of the ways in which artists have approached this condition by confronting the accelerated flow of images in contemporary media culture and the proliferation of “non-places” that we increasingly inhabit
This poster featuring Self-Portraits at Larry’s (2018) was produced in 2018
Brice Marden: The Grove Group Sophie Cavoulacos this iconic self-portrait captures bothThis book was published on the occasion of the exhibition Brice Marden: The Grove Group at Gagosian, 980 Madison Avenue, New York. Following a trip to Greece in the early 1970s, Marden developed a unique method of adding beeswax and turpentine to oil paint and applying the mixture in multiple thin layers to heighten the effect of each color, plane, and brushstroke in a painting. He employed this technique in the abstract Grove Paintings (197276), a
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