Caro: Works from the 1960s Andisheh Avini painterly qualities of his earlier

painterly qualities of his earlier work into ever narrower bands of prismatic hues set against variously toned whites

This three-color lithograph by Ed Ruscha positions the titular phrase within a rectangular printed frame labeled with the four cardinal directions

bread and butter plate

referring to the nickname for someone from the Tyneside area of northeastern England

The resulting Hoods relate to two postwar American trends: DIY car culture and

Caro: Works from the 1960s Andisheh Avini painterly qualities of his earlierThis book was published on the occasion of Anthony Caro: Works from the 1960s at Gagosian, Beverly Hills, an exhibition of early sculptures by the artist. Following a pivotal trip to the United States in 1959, Caro began a new approach to form, color, and presentation, inspired by David Smiths transposing of impulsive painterly lines into welded and forged metal. These exuberant steel and aluminum sculptures unfold within the personal space of the