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Everything Was Beautiful And (Almost) Nothing Hurt Ellen Priest The textured appearance of her

SKU: 69814371331

4.1
USD1092.50 USD1132.50

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Description

The textured appearance of her paintings emanates from the intervention of common household products such as paper towels during the painting process

The threaded line forks out creating an opening onto the painted ground

the process takes editorial control of the painting’s distinctive features without any input from the artist

The shape of the object is a free physical modification from the line crossing sections of Göttin's installative works called Network

Janiak uses the camera lens

Everything Was Beautiful And (Almost) Nothing Hurt Ellen Priest The textured appearance of herThis captivating photograph captures the essence of New York through a unique lens. Wajdowicz, known for his minimalist and semi abstract approach, relies solely on in camera techniques to craft his images. Archival pigment print, blind embossed stamp and signed by the artist. Limited edition of 9. Shipments are in a hard tube, protected with acid free tissue.

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