Untitled, 2014 (Id. 382) Marcy Rosenblat and surface

and surface

Looking and touching

they grab the viewer viscerally

Artworks from this series were a reaction to the more serialized and geometric work Adams was doing

she has painted with many layers of encaustic and mounted hand cut circles of Japanese paper which have been dipped in encaustic

Untitled, 2014 (Id. 382) Marcy Rosenblat and surfaceCaldicott has always had a habit of working serially; his works on paper are rapidly produced and large in quantity. His drawings have a minimal esthetic, an architectural character, created with only one or two lines. Pastel tones, softened colors, and a formal composition generate a feeling of austerity and sophistication.